By Peter Osborne
Modern artwork is the thing of inflated and largely divergent claims. yet what sort of discourse can open it up successfully to serious research? anyplace or by no means is an incredible philosophical intervention in paintings idea that demanding situations the phrases of confirmed positions via a brand new process instantaneously philosophical, historic, social and art-critical. constructing the placement that modern paintings is postconceptual paintings, the ebook progresses via a twin sequence of conceptual structures and interpretations of specific works to evaluate the paintings from a few views: contemporaneity and its worldwide context; artwork opposed to aesthetic; the Romantic pre-history of conceptual artwork; the multiplicity of modernisms; transcategoriality; conceptual abstraction; photographic ontology; digitalization; and the institutional and existential complexities of art-space and art-time. wherever or on no account maps out the conceptual house for an artwork that's either severe and modern within the period of world capitalism.
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Additional resources for Anywhere or Not at All: Philosophy of Contemporary Art
Breton was implacable towards his former friends. He demanded that the performance which Artaud was arranging should be taken off the stage, despite the fact that Artaud had already been excluded from the group, and he got the police to come to the theatre. Breton’s position gave rise to an increasing level of discontent, and he was reproached for his tyrannical treatment of the members of the group. Breton thought that it was necessary to manage every Surrealist to make sure that his individual activity conformed to the revolutionary line.
In 1913, he began to study medicine in Paris, and was preparing for a future as a psychiatrist. The war got in the way. Breton was drafted into the artillery, but, as a future doctor, he was ordered to serve as a medic. In the Val-de-Grace hospital, he encountered another medical student and poet, Louis Aragon. Aragon, the illegitimate son of a prefect of police, was born in 1897 in Paris. He was a refined, slim and delicate young man who admired Stendhal and had studied at the Sorbonne. The companions of his youth never doubted that he was going to be a poet.
In the 1940s, the activities of the Surrealists continued primarily in America where many of them had gone to escape the Second World War. During the war, a large exhibition of Surrealist art was held in London. In 1945, a collection of Breton’s writings on painting came out in the United States, entitled Surrealism and Painting. In June 1947, the International Exhibition of Surrealism was held in Paris at the Galerie Maeght. It could truly be said that the visual art of Surrealism had conquered the whole world.