By Roger Ebert
Ebert, essentially the most prolific movie critic of all time, right here distills his mammoth life's paintings right into a unmarried volume.
After a nostalgic creation recounting his preliminary forays into feedback, he provides studies of the simplest movies of every of the previous 38 years, from Bonnie and Clyde to Crash, and a range of international movies, documentaries, and "overlooked and underrated" works.
More compelling are longer "think pieces" on such subject matters as colorization, the movie-ratings approach, electronic projection, and famous person Wars' deleterious influence on Hollywood. these, and a variety of superstar profiles and interviews, permit him to proportion his services and voice his ardour in a manner that day-by-day reviewing seldom permits.
The volume's ultimate choice, a 2004 piece concerning the therapeutic influence of viewing movies--and of writing approximately them--during his convalescence from melanoma remedy, may perhaps function his valedictory. As movie feedback turns into extra marginalized, Ebert could emerge as obvious because the final of a kind--the critic who truly has the ability to steer a countrywide audience.
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Extra info for Awake in the Dark: The Best of Roger Ebert
Bonnie and Clyde are strictly amateurs at the hold-up game, of course. They take incredible risks for nothing at all. So remember the scene where Clyde is waving around this enormous pistol, and he’s in a grocery store and all he’s stealing is a sack of groceries. So the grocer fills the Kraft paper bag, and Clyde says. ’ And the grocer is very nervous with that thing waving in his face, and he says, ‘No, sir, mister. ’ “And so the audience laughs because this is so ridiculous. But just then a big fat butcher lunges at Clyde with a meat cleaver.
And it is this hidden message which contains the deep and moral indictment of the depravity which La Dolce Vita documents. In technical excellence, the film surpasses every production this reviewer has seen, except a few of the Ingmar Bergman classics. ” This attack is also made clear in frequent symbolism, although sometimes the symbolism becomes too obvious to fit into the effortless flow of death of a dream palace xxxv the total production. For example, in the final scene where merrymakers gather around the grotesque sea monster which represents their way of living, and then the protagonist is called by the “good” girl but cannot understand her, the symbolism is very near the surface.
Maybe Crowther thought when the audience cheered, it was cheering for violence. —we cut very fast to the opposite emotion. So you’re sitting there laughing and suddenly you look at the screen and what you’re laughing at isn’t very funny at all. “That was kind of the way with Bonnie Parker and Clyde Barrow. They didn’t seem to be able to see their crimes in context. They killed all these people, and it was still a game for them, a lark. ” Beatty said he would give an example. “Bonnie and Clyde are strictly amateurs at the hold-up game, of course.