By Ashley Kahn
Few albums within the canon of renowned tune have had the impression, resonance, and persistence of John Coltrane's 1965 vintage A Love Supreme-a checklist that proved jazz was once a becoming medium for religious exploration and for the expression of the elegant. Bringing an identical clean and interesting strategy that characterised his significantly acclaimed Kind of Blue: The Making of the Miles Davis Masterpiece, Ashley Kahn tells the tale of the genesis, production, and aftermath of this vintage recording. that includes interviews with multiple hundred musicians, manufacturers, acquaintances, and kin; unpublished interviews with Coltrane and bassist Jimmy Garrison; and rankings of never-before-seen photos, A Love Supreme balances biography, cultural context, and musical research in a passionate and revealing portrait.
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Extra resources for A Love Supreme: The Story of John Coltrane's Signature Album
Rousseau used it successfully in the simple genre. 137 He later saw his own Devin du village successfully reprised in a January 1777 production in which it was paired with Gluck’s Orphée. Rousseau wrote an analysis of the famous passage in Gluck’s Italian Orfeo where the Furies deny Orpheus entry into the underworld. In the title of his analysis, Extract from a Response by the Underlaborer to His Frontman Concerning a Piece from Gluck’s “Orfeo,” he playfully alludes to charges that he was merely the “frontman” for the musical writings and compositions he had plagiarized from others, and he presents his analysis as an explanation of the passage from Gluck’s opera by the true author, the “underlaborer,” to himself, the supposed author.
4 Plan Regarding New Signs for Music The means that will remedy the Wrst of these inconveniences will remedy the second as well; and as soon as equivalent signs are invented, but simpler and fewer in number, they will have greater precision for that very reason, and they will be able to express as many things in less space. Besides this, it is advantageous for these Signs to be known already, in order that attention be less divided, and to be easy to form, in order to make music more convenient.
His dotage was actually quite active, producing some of his most innovative ideas on music. 130 He was also an enthusiastic patron of the opera during this period and thereby kept up with the latest developments in the art, especially the reform opera of Gluck, and was inspired to attempt some innovations of his own. In his Dictionary of Music and other works, Rousseau had discussed the problems of uniting music with drama, and in his Pygmalion he attempted a new form of drama that alternated music with pantomime and declamation in a way that sought to overcome the unmelodic character of French recitative.